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XII/2/2021
INTERDISCIPLINARIA ARCHAEOLOGICA
NATURAL SCIENCES IN ARCHAEOLOGY
homepage: http://www.iansa.eu
How the Uruk Potters Used the Wheel. New Data on Modalities and
Conditions of Emergence of the Potter’s Wheel in the Uruk World
Johnny Samuele Baldi
1*
1
CNRS, UMR 5133 Archéorient, 7 rue Raulin, 69365 Lyon, France
1. Introduction
1.1 Urbanisation and potter’s wheel: from myths to
current questions
According to a traditional historical perspective, the spread
of the potter’s wheel in Mesopotamia – and especially in the
southern Alluvium – occurred in the 4
th
millennium BCE
(Abu al-Soof, 1985; Lloyd, 1948; Laneri and di Pilato, 2000;
Butterlin, 2003). This conviction – the result of a linear and
teleological vision of history (and essentially of Western
history – Childe, 1929) – ofered a coherent theoretical and
historical framework. This perspective on the potter’s wheel
matched well with a perception of techniques as neutral human
endeavours devoid of specifc sociocultural meanings and
largely dictated by environmental and functional constraints.
As “extra-somatic” strategy of adaptation, a technique – and
especially a new one – was assumed to physically respond
to the socio-economic goals to overcome the limits imposed
by the environment. Therefore, it was rational to associate
the difusion of a new disruptive technology with another
crucial innovation emerging in 4
th
millennium Mesopotamia,
namely urbanization (Mellowan, 1970; Algaze, 1993). The
stereotype considering wheel-made pottery as the result
of wheel-throwing on the so-called fast wheel imbues the
potter’s wheel with a series of alleged intrinsic techno-
functional attributes enabling efciency, standardisation, and
intensifcation in pottery production (Haller, 1932; Kalsbeek,
1980). The frst cities were considered as social containers
gathering large numbers of inhabitants supposedly sharing
the same ceramic needs, to which specialised craftsmen
necessarily had to respond, in a new, standardised way, with
a large-scale production: bevelled-rim bowls (henceforth
BRBs – Lloyd and Safar, 1943; Beale, 1978).
However, recent studies on the potter’s wheel by
Valentine Roux (1994; 2003a; 2009; 2012) and other
scholars (Roux and Corbetta, 1989; Roux and Courty, 1995;
1997; 1998; Roux and Mirischedji, 2009; Berg, 2006; 2007;
2008; 2011; Jefra, 2011; 2013; Roux and Jefra, 2015;
Choleva, 2012; 2018; 2020) have overcome environmental
and economic deterministic views on techniques, while
knowledge on 4
th
millennium BCE Mesopotamia has also
advanced considerably (Rothman, 2002; Wright, 2001;
Volume XII ● Issue 2/2021 ● Pages 181–199
*Corresponding author. E-mail: jsb.arch@gmail.com
ARTICLE INFO
Article history:
Received: 29
th
January 2021
Accepted: 8
th
September 2021
DOI: http://dx.doi.org/10.24916/iansa.2021.2.6
Key words:
potter’s wheel difusion
Uruk
Late Chalcolithic
southern Mesopotamia
northern Mesopotamia
Tell Feres
Qara Dagh
ABSTRACT
The phase and the ceramic materials that, in Southern Mesopotamia, go under the label of “Uruk”
(after the toponym of the site in southern Iraq) have traditionally been considered the origin for the
development of the potter’s wheel in the Near East, according to a perspective that associated the
emergence of the potter’s wheel, the “mass” production of the so-called bevelled-rim bowls and frst
urbanization. According to recent excavations and ceramic studies it is now clear that this was a narrative
based on a priori convictions. However, even if under very diferent socio-technical conditions, it
is true that the potter’s wheel made an early appearance in Southern Mesopotamia within the Uruk
cultural sphere, and then developed in a widespread and discontinuous way in the Uruk network.
Based on recent ongoing feldwork data from Syria (Tell Feres) and Iraqi Kurdistan (Logardan and
Girdi Qala), ceramic analyses have taken into account new criteria to identify the use of the potter’s
wheel. This paper outlines the chronological and socio-technical scenario behind the adoption of the
potter’s wheel in the Uruk world, picturing the peculiarities of this cultural environment, as well as
the parallels with the emergence conditions of the potter’s wheel in northern Mesopotamia and other
areas of the Near East.
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IANSA 2021 ● XII/2 ● 181–199
Johnny Samuele Baldi: How the Uruk Potters Used the Wheel. New Data on Modalities and Conditions of Emergence of the Potter’s Wheel in the Uruk World
182
2014; 2016; Pollock, 2001; Frangipane, 2001; 2002; 2018;
Schwartz, 2001; Strommenger
et al.
, 2014; Butterlin, 2003;
2018). The southern sector of the plain, occupied by the
cultural entity called Uruk (from the eponymous site), is no
longer essentialised as the only cradle of social complexity
(Butterlin, 2009a; 2009b; 2013; Baldi, 2016a; Iamoni, 2016).
For decades, much attention has been paid to the specifc
organizational features of the independent but equally ancient
path to complexity that was developed by the proto-urban
formations of northern Mesopotamia (Frangipane, 2009;
2010; 2018; Rothman, 2002; Balossi-Restelli, 2019; Stein,
2001; 2002a; 2002b; 2005; 2012; McMahon and Crawford,
2015; McMahon, 2020). Even the geographical boundaries
between these two spheres of infuence are no longer regarded
as a key factor: “North” and “South” are generally referred to
as synthetic labels, evocative categories of diferent social and
organisational systems, but equally hierarchical and far from
separate from each other. Clichéd historical reconstructions
of the frst urbanisation are now completely outdated (Ur,
2010a; 2010b; Algaze, 2018; Benati, 2018; Skuldbøl and
Colantoni, 2016; 2018; Emberling, 2015), as also the
assumption that bevelled-rim bowls were wheel-thrown
(Goulder, 2010; Helwing, 2014). However, one fact remains
true: in Mesopotamia, the potter’s wheel was frst adopted in
the 4
th
millennium BCE. The focus of current archaeological
research is rather on diferences, parallelisms, and connections
between north-Mesopotamian Late Chalcolithic (henceforth
LC) polities and southern Uruk proto-cities (Marro, 2010;
Nannucci, 2012; Butterlin, 2018; D’Anna, 2019; D’Anna and
Jauss, 2015). This aims at explaining how reciprocal contacts
happened in terms of social dynamics and management
mechanisms framing phenomena such as exchanges,
conficts, migrations, acculturations and shifting cultural
frontiers on the basis of respective political economies,
identities and ethnicities (McMahon, 2016; Minc, 2016;
Minc and Emberling, 2016; Wright, 2016; Balossi-Restelli
et
al.
, 2018; Renette
et al.
, in press). Recent literature explores
the culture contact between northern local inhabitants and
southern Uruk immigrants starting from the so-called Uruk
“colonial expansion” (Stein, 2001; 2002a). Actually, the
south-Mesopotamian Uruk difusion has nothing colonial
about it (Baldi, 2016b) and is rather a phenomenon of demic
and cultural spread (Figure 1), implying the foundation of
enclaves, villages and, lastly, Uruk cities in the North and Iran
(Stein, 2005; Wright, 2016). The adoption and difusion of
the potter’s wheel is taken into account within this context of
intense North-South cultural exchanges.
The appearance of the wheel-coiling technique in the early
4
th
millennium northern Mesopotamia has recently been
documented and compared with archaeological and ceramic
evidence from the 5
th
millennium Levant (Baldi and Roux,
2016). On the other hand, with respect to the Uruk cultural
sphere, it is essential to answer two basic questions:
1. What is the chronology and social context of the
emergence of this new technique within the Uruk
communities?
2. Furthermore, in the framework of the culture-contact
between north-Mesopotamian and Uruk people, was
the wheel adopted by the Uruk potters as a result of
a borrowing, as a local novelty spreading to the North,
or rather as an independent innovation characterised
by specifc features?